Synopses & Reviews
William Marston was an unusual manandmdash;a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator ofand#160;
Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage.and#160;
Comics expert Noah Berlatsky takes us on a wild ride through theand#160;Wonder Womanand#160;comics of the 1940s, vividly illustrating how Marstonandrsquo;s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the earlyand#160;Wonder Womancomics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest.and#160;
Wonder Woman: Bondage and Feminism in the Marston/Peter Comicsand#160;1941-1948and#160;reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.
Review
andquot;Filled with engaging close readings of various Wonder Woman texts, Wonder Woman fills an important gap in superhero comics studies.andquot;
Review
andquot;Zounds! Who knew the wonders of Wonder Womanand#39;s sadomasochistic complexities? If you only know the TV show, get ready for the ropes and lassoes and chains of the 40and#39;s comics as examined by Noah Berlatsky. Be sure to buy the e-book to see the original images in glorious color!andquot;
Review
andquot;In this smart and engaging book, Noah Berlatsky reveals howand#160;psychology, polyamory, bondage, feminism, and queer identities inspired comic booksand#39; most enduring superheroine. A fascinating read for anyone interested in comics, pop culture, or gender politics!andquot;
Review
andquot;Berlatsky can always be counted on to show us new facets of what he examines, in fact, to show that the facets are part of a whole shape heretofore unperceived.andquot;
Review
andquot;Insightful...Berlatsky examines some of the most complex and controversial aspects of Wonder Woman. The analysis is solid, the research is thorough, and the conclusions are valid.andquot;
Review
andquot;Wonder Woman [is] engaging and entertaining.andquot;
Review
andquot;An engaging read from start to finish, and Berlatskyandrsquo;s love of Golden Age Wonder Woman comics comes through on every page.andquot;
Review
andquot;The research is astonishing. The dedication is breathtaking. And the fact that this would actually be usable as a college textbook in either a womenandrsquo;s literature, comic history, or even pop culture class is awesome.andquot;
Review
andquot;Berlatsky, the editor of Hooded Utilitarian (a comics and culture site), has written a work filled with deep scholarly insights on the history and politics of Wonder Womanand#39;s creator, as well as a larger examination of the histories, lifestyles and personal ethos that gave rise to one of popular cultureand#39;s most powerful figures.andquot;
Review
andquot;Noah Berlatsky took a deep dive into the marriage of psychology and artwork that is [William] Marstonandrsquo;s enduring pop culture impact.andquot;
Review
andquot;Berlatsky does a dazzling and remarkably accessible reading of the 1940s Wonder Woman comics against some of the heavyweights of modern feminist theoryandmdash;Judith Butler, Luce Irigaray, Shulamith Firestone, Julia Kristeva, Susan Brownmiller.andquot;
Review
andquot;[Berlatsky] combs the verbal and visual texts to show how Marston and Peter conveyed their unique notions of liberation through bondage, submission, and the glorification of lesbian sexuality while simultaneously linking these ideas to feminism and freedom.andquot;
Synopsis
William Marston was an unusual manandmdash;a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic where he expressed two of his greatest passions: feminism and women in bondage. Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, showing how Marston and illustrator Harry Peter came together to create a fictional universe that celebrated female empowerment and queer sexualities.
Synopsis
Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston's many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.
About the Author
NOAH BERLATSKY is the editor of the comics and culture blog The Hooded Utilitarian. He has written on gender, comics, and culture for many publications, including Slate, Public Books, The Chicago Reader, Reason, The Comics Journal, The Baffler, and The Atlantic.
Table of Contents
Acknowledgments
Introduction
1and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160; The Pink Bondage Goo of Feminism
2and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160; Castration in Paradise
3and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160; Candy You Can Eat
Conclusion: A Future Without Wonder Woman
Works Cited
Index
and#160;