Synopses & Reviews
The First World War had a colossal impact: The Austro-Hungarian and Ottoman empires dissolved; revolutions toppled the Russian and German dynasties; American democracy was tested; the Western European landscape was ravaged. The immediate cost of the four years was staggering--nearly nine million dead and millions more physically or psychologically scarred--but the war's long-term consequences were even deeper.
Marilyn Shevin-Coetzee and Frans Coetzee use the editorials, memoirs, newspaper articles, poems, and letters of the day to re-create the many facets of the war. Technological developments such as the machine gun and barbed wire brought the world trench warfare, vividly depicted here in a firsthand account of then-soldier Benito Mussolini. But fighting at the front lines was only the most graphic part of this violent time; civilians suffered too. A British parliamentary report recommending that businessman Sir Edgar Speyer be stripped of his citizenship because he had been born in Germany demonstrates government interference in people's lives. An Atlantic Monthly essay by the African-American sociologist W.E.B. Du Bois draws attention to the conflict's origins in imperialist greed in Africa. A poor French girl's thank-you note to a charitable American demonstrates the plight of Europe's children. And a photo essay of poster art reveals the passion and propaganda aroused on every side.
Such chaos provided a breeding ground for political extremists, such as the Bolsheviks and later the Nazis, and unleashed decades of conflict that encompassed colonial wars for independence, World War II, and the Cold War. The revolutionary changes that resulted and their geographical scope show how what was known to many as the Great War marked the real beginning of the twentieth century.
This new edition includes an updated introduction with a note on sources and interpretation, twelve new documents, twenty-seven new sidebars, three new images, and updated further reading and websites. The new documents add material on colonialism in Africa and on purely military aspects of the war--for example, an excerpt on the coming of war in Germany from Stefan Zweig's autobiography; a description of the Brusilov offensive; the diary of a German deserter, an account of the Christmas truce; soldiers' poetry, a diary from the Gallipoli campaign; Jan Smuts's report on fighting in east Africa; and a report from the battle of Jutland. There are also several new literary sources, including a poem by Anna Akhmatova. The new images are two satirical German postcards and a broadside of the Proclamation of a Provisional Government of the Irish Republic.
Synopsis
Offering a comprehensive account of the war as more than a purely military phenomenon,
World War I: A History in Documents, Second Edition, also addresses its profound social, cultural, and economic implications. Authors Marilyn Shevin-Coetzee and Frans Coetzee use editorials, memoirs, newspaper articles, poems, and letters to re-create the many facets of the war. Technological developments such as the machine gun and barbed wire brought the world trench warfare, which is vividly depicted here in a firsthand account of then-soldier Benito Mussolini. An Atlantic Monthly essay by the African-American sociologist W.E.B. Du Bois draws attention to the conflict's origins in imperialist greed in Africa. A poor French girl's thank-you note to a charitable American demonstrates the plight of Europe's children. And a photo essay of poster art reveals the passion and propaganda aroused on every side.
This second edition includes an updated introduction with a note on sources and interpretation, more than forty new documents and images, and updated further reading and website lists. The new documents offer additional material on colonialism in Africa and on specific military aspects of the war, including an excerpt on the coming of war in Germany from Stefan Zweig's autobiography; a description of the Brusilov offensive; the diary of a German deserter; an account of the Christmas truce; soldiers' poetry; a diary from the Gallipoli campaign; Jan Smuts's report on fighting in east Africa; and a report from the battle of Jutland. Several new literary sources, including a poem by Anna Akhmatova, are also included. The new images of satirical German postcards and a broadside of the Proclamation of a Provisional Government of the Irish Republic allow readers to see rare ephemera and build a more textured historical understanding of the war.
About the Author
Marilyn Shevin-Coetzee and Frans Coetzee have taught at Yale and George Washington Universities and have been the recipients of fellowships from the American Council of Learned Societies, American Philosophical Society, Alexander von Humboldt, Fulbright, Institute for Advanced Study (Princeton), Mellon, and National Endowment for the Humanities Foundations. They are the authors of six books, the most recent of which is
The World in Flames: A World War II Sourcebook (OUP, 2010), and maintain a website on world history (www.history4everyone.com).
Table of Contents
What is a Document?
How to Read a Document
Introduction: The Great War
Note on Sources and Interpretation
Chapter One: Into the Abyss
To War?
The Spark
Europe Mobilizes
Holy War
African Roots
Chapter Two: Adjusting to War
Answering the Call
Faith and Endurance
Reflection
Children in the War and at Play
Chapter Three: Meeting the Challenge
Baptism of Fire
Gallipoli
The Conquest of Jerusalem
Women: Doing Their Part
Chapter Four: War Without Mercy
Ignorance and Intolerance
Tragedies of War
Anti-German Sentiment
Chapter Five: Picture Essay
Advertising the War
Chapter Six: Strains
Body and Soul in Turmoil
Dissidence and Disorder
Mutiny
Defending the Russian Revolution
Dislike of the Unlike
Chapter Seven: Coming to Terms
From the Ashes
Reparations
Loss and Memory
Timeline
Further Reading
Websites
Text Credits
Picture Credits
Index