Synopses & Reviews
This volume considers the place of aggression and warfare in Lewis' art and literature within a closely defined historical context. Focusing on the effect of the First World War on Lewis' thought and his practice as artist and writer, it examines his war art, and the postwar politics and aesthetics in detail, and reassesses the justice of the view of Lewis as the uncontrolled aggressor of British modernism.
Synopsis
A reassessment of the modernist artist, Wyndham Lewis.
Synopsis
Focusing on the effect of the First World War on Lewis's thought and his practice as artist and writer, this volume examines his war art, and hispost-war politics and aesthetics in detail, and reassesses the justice of the view of Lewis as the uncontrolled aggressor of British modernism.
Table of Contents
Introduction: the subject of modern war David Peters Corbett; 1. Wyndham Lewis: war and agression Alan Munton; 2. Wyndham Lewis, the anti-war war artist Tom Normand; 3. Actors and spectators in the theatre of war: Wyndham Lewis's First World War art and literature Christine Hardgen; 4. Shellshock, anti-semitism, and the agency of the avant-garde Geoff Gilbert; 5. 'Grief with a Yard-Wide Grin': war and Wyndham Lewis's work in the 1920s David Peters Corbett; 6. 'Its Time for Another War': the historical unconscious and the failure of modernism Paul Edwards; 7. Wyndham Lewis and history painting in the later 1930s Andrew Causey; 8. Aggression, aesthetics, modernity: Wyndham Lewis and the fate of art David Wragg.