Synopses & Reviews
Synopsis
This 141st volume of Yale French Studies carefully examines Claude Lanzmann's (1925-2018) films following his masterpiece, Shoah This volume of Yale French Studies collects original essays that see the films since Shoah--Tsahal (1994), A Visitor from the Living (1997), Sobibor, October 14, 1943, 4 p.m. (2001), Light and Shadows (2008), The Karski Report (2010), The Last of the Unjust (2013), and Four Sisters (2018)--as something more than mere footnotes to the 1985 masterpiece. These works develop key themes and provide new perspectives absent from Lanzmann's earlier work. Not only does this volume provide a fuller assessment of Lanzmann as a filmmaker, but it also exposes blind spots in Shoah and the challenges in representing the Holocaust, and therefore of living in its aftermath, in new terms. This assessment is accompanied by an analysis of Lanzmann's autobiographical writings--most notably The Patagonian Hare--as well as theoretical reflections contained in interviews and articles published in recent decades.
Synopsis
This 141st volume of Yale French Studies carefully examines the life and work of Claude Lanzmann (1925-2018) following his 1985 masterpiece, Shoah This volume of Yale French Studies charts the different paths Lanzmann took after the release of Shoah in 1985. These paths are explored through a consideration of his late films--Tsahal (1994), A Visitor from the Living (1997), Sobibor, October 14, 1943, 4 p.m. (2001), Light and Shadows (2008), The Karski Report (2010), The Last of the Unjust (2013), Napalm (2017), and Four Sisters (2018)--and of his memoir, The Patagonian Hare. The volume also includes an English translation of his last major interview, "Self-Portrait at Ninety." The original essays collected here show that Lanzmann's late films and writing stand as something more than mere footnotes to his 1985 masterpiece. Continuing to wrestle with questions of cinematic transmission and the relationship among film, history, and testimony, they confront anew and in a variety of approaches the challenge of representing the Holocaust, and of living in its aftermath.