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Keep

by Jennifer Egan
Keep

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  • Synopses & Reviews
  • Reading Group Guide
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ISBN13: 9781400079742
ISBN10: 1400079748
Condition: Standard


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Synopses & Reviews

Publisher Comments

From National Book Award finalist Jennifer Egan, author of Look at Me ("Brilliantly unnerving...A haunting, sharp, splendidly articulate novel" The New York Times), a spellbinding work of literary suspense enacted in a chilling psychological landscape — a dazzling tour de force.

Two cousins, irreversibly damaged by a childhood prank whose devastating consequences changed both their lives, reunite twenty years later to renovate a medieval castle in Eastern Europe, a castle steeped in blood lore and family pride. Built over a secret system of caves and tunnels, the castle and its violent history invoke and subvert all the elements of a gothic past: twins, a pool, an old baroness, a fearsome tower. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story — a story about two cousins who unite to renovate a castle — that brings the crimes of the past and present into piercing relation.

Egan's relentlessly gripping page-turner plays with rich forms — ghost story, love story, gothic — and transfixing themes: the undertow of history, the fate of imagination in the cacophony of modern life, the uncanny likeness between communications technology and the supernatural. In a narrative that shifts seamlessly from an ancient European castle to a maximum security prison, Egan conjures a world from which escape is impossible and where the keep — the last stand, the final holdout, the place you run to when the walls are breached — is both everything worth protecting and the very thing that must be surrendered in order to survive.

A novel of fierce intelligence and velocity; a bravura performance from a writer of consummate skill and style.

Review

"Atmospheric and tense, this is a mesmerizing story." Booklist

Review

"An engrossing narrative told in prose that's remarkably fresh and inventive." Library Journal

Review

"Intelligent, challenging and exciting....The characters' emotions are so real, the author's insights so moving, that readers will be happy to be swept away." Kirkus Reviews (Starred Review)

Review

"It's precisely Egan's talent for tapping into the American subconscious...that has established the author and journalist as a prescient literary voice." Vogue

Review

"Egan is a very good writer, insightful and often funny, so fluid that you actually have the sensation of sinking into these lives." USA Today

Review

"How [Egan] weaves the story of these four people together — and the unexpected links between them — is fascinating." Oregonian

Review

"Overall, the improbability of The Keep is as bold as its realism is impassioned." Los Angeles Times

Review

"[A] pleasure to read....Eagan's story unfolds in such sharp, realistically toned flashes that you get the information exactly the way her narrator wishes — without even knowing you were looking for it." Minneapolis Star Tribune

Review

"While this ghost story wants to spook, instead it frustrates with a dual narrative arc that's unnecessary and pointless....[W]hen Egan belatedly attempts to fuse this mess into a cohesive coda, she fails miserably. (Grade: D)" Entertainment Weekly

Review

"If, like your reviewer, you are inclined to regard traditional Gothic tropes as silly...you may be inclined to skip Jennifer Egan's The Keep....You would, however, be making a mistake....Expertly stacking and unstacking and, in the end, ingeniously discarding the Russian dolls of her protagonists' worlds, Egan, in clear and often witty prose, spins a tale of old-fashioned grip that argues for the liberating effects of fantasy and, not unrelatedly, for the enduring significance of the shudder." Joseph O'Neill, The Atlantic Monthly (read the entire Atlantic Monthly review)

Synopsis

NATIONAL BESTSELLER - Part horror tale, part mystery, part romance ... utterly fantastic."--O, The Oprah Magazine - The bestselling, award-winning author of A Visit from the Goon Squad brilliantly conjures a world from which escape is impossible and where the keep--the tower, the last stand--is both everything worth protecting and the very thing that must be surrendered in order to survive.

Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results.

And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.

Synopsis

The author of Look at Me, a National Book Award finalist, returns with a brilliantly constructed work of intellectual suspense that takes on the lure of history, the cacophony of modern life, the power of the imagination, the meaning of escape, and the uncanny similarities between technology and the supernatural.

Synopsis

Award-winning author Jennifer Egan brilliantly conjures a world from which escape is impossible and where the keep -the tower, the last stand -is both everything worth protecting and the very thing that must be surrendered in order to survive.

Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.


About the Author

Jennifer Egan is the author of Look at Me, which was a finalist for the 2001 National Book Award, The Invisible Circus, and the story collection Emerald City. Her nonfiction appears frequently in the New York Times Magazine. She lives with her family in Brooklyn, New York.

Reading Group Guide

1. What happens when you discover that Danny, in whose story we are immersed from the opening pages, is actually a character in the story being written by Ray, who is in prison [pp. 18-19]? As you proceed, does your involvement in both Dannys story and Rays story remain equal, or does one plot become primary and the other secondary? How does Egan navigate the transitions between these two plots?

2. Jennifer Egan said in an interview that The Keep arose from a visit to a medieval castle. “The revelation was: This is something new to me, something different. I just want to be here for a while. I want this feeling. And for me, that sense of time and place—of atmosphere—predates a character, a story, everything else except a few abstract notions that I want to explore [The Believer, August 2000].” Consider how the setting and situation affect you in the opening chapters. What is the feeling they evoke? How does Dannys very modern voice affect your response?

3. Guilt plays a large role in the lives of several self-destructive characters in The Keep. How does guilt for past actions shape the present lives of Danny and Holly?

4. The Gothic novel is a genre that emerged in the eighteenth century with Horace Walpoles novel The Castle of Otranto. Gothic novels often included crumbling ruins, dark secrets, imprisoned heroines, hidden passages, and so on. Why does Ray choose to write a modern Gothic novel, and how do elements like the castle, the baroness, and the drowned twins resonate against the hyper-modernity of the information age that Danny has so reluctantly left behind?

5. What does the catalog of Dannys scars and injuries tell us about him? Is he particularly accident prone? Does Dannys character change over the course of the story?

6. Danny is officially disconnected from his known world when his satellite dish, laboriously carried from Manhattan, falls into the castles “Imagination Pool.” Why is this funny? What are some of the other comic scenes in the novel?

7. The series of questions that arises on page 158 is one of the frequent reminders that Dannys story is being written by a novice. Ray becomes inspired to take writing seriously when Holly tells the class to notice all the locked doors and gates surrounding them. She says, “My job is to show you a door you can open. And she taps the top of her head.” Though Ray is skeptical about Hollys “cheesy motivational speech,” he feels “something pop in [his] chest” [p. 20]. Why does Ray respond so powerfully to Hollys suggestion, despite the fact that “it was just figurative language” [p. 20], as he says?

8. The Keep allows us to watch the process of someone becoming a writer. Ray listens to “ghost words” from his fellow convicts former lives, writing them down “because every one has the DNA of a whole life in it, a life where those words fit in and made sense. . . . I save up those words and later on I open up the notebook where Im keeping the journal Holly told us all to keep and I write them down one by one. And for some reason that puts me in a good mood, like money in the bank” [p. 61]. What does this suggest about close observation, words, and meaning in daily life?

9. The Keep is filled with imagery of doors, windows, towers, tunnels, and stairways. Characters climb in, climb out, explore, are locked in, emerge into the light. Why is this imagery used so consistently, and whose imagination is creating or projecting it? Another major image is the pool: “There was the pool: round, quiet, black. The Imagination Pool” [p. 155]. How are these symbolic elements related to one another?

10. Drug use plays a significant role in the story, with Mick, Danny, Holly, Ray, and many of the prisoners all having been serious addicts or occasional users. How is drug use related to the main ideas in the novel? Can drug use be seen as a corollary to writing in the ways it alters perception and reality?

11. Howard is drawn to the castle because of “the feel of it. All this . . . history pushing up from underneath” [p. 46]. He goes on to say that in the distant past, “people were constantly seeing ghosts, having visions—they thought Christ was sitting with them at the dinner table, they thought angels and devils were flying around. . . .

Was everyone nuts in medieval times? Doubtful. But their imaginations were more active. Their inner lives were rich and weird” [p. 47]. Later he asks, “Whats real, Danny? Is reality TV real? . . . Who are you talking to on your cell phone? In the end you have no fucking idea. Were living in a supernatural world, Danny. Were surrounded by ghosts” [p. 137]. The baroness tells Danny, “Before my time there were eighty generations of von Ausblinkers whose blood now runs in my veins, and they built this castle and lived and fought and died in it. Now their bodies are dust—theyre part of the soil and the trees and even the air were breathing this very minute, and I am all of those people. Theyre inside me. They are me. There is no separation between us” [p. 88]. This idea of feeling or seeing or hearing ghosts is central to The Keep. How do you interpret the meaning or meanings of “ghosts” in these and other conversations?

12. Can writing—and the imagination—be redemptive? Ray is serving time for murder; yet as he presents himself to us, its difficult to detect any evil in him. Is he a reliable narrator, or not? Is he a likable and even lovable character? Is Holly a reliable judge of character, and does her love for Ray influence your feelings about him?

13. Daviss shoebox full of dust is a radio that can hear the voices of the dead; he sees this radio as having the same function as Rays manuscript: “All this time weve been doing the same thing: picking up ghosts. Were in lockstep, brother. Were like twins” [p. 106]. How is writing like Daviss radio? Daviss comment about himself and Ray as twins is also significant. What is important about this idea of twins, and how might it also include other characters in the novel? Which characters seem to be doubles or shadows of each other?

14. In their shared obsession with castles, dungeons, and the seductive powers of the imagination, are Danny and Howard both interested in reliving their pasts? Does the past return? Does Danny redeem himself for what Danny did to Howard when they were boys?

15. Can you imagine visiting a hotel such as Howards? Might the principles underlying the hotel actually be attractive to busy people in the world we now live in? Does Howards real power lie not in his money, but in his belief in

the imagination, and possibly in his ability to provoke people to change their lives? Is The Keep in part a serious critique of American cultures obsession with superficiality and the distractions of the moment?

16. Reread pages 148-149, the paragraphs leading up to and immediately following the stabbing of Ray. What elements make this writing so powerful?

17. The Keep tells the stories of three main protagonists: Danny, Ray, and Holly. Whose story is most compelling, and why? Does the final chapter resolve or leave unsettled your understanding of the relationship between these characters? What happens to the two distinct plots—the story of Ray and the story of Danny—at the end of the novel? What happens when Holly dives into the pool in the final scene?


NATIONAL BESTSELLER

“Dazzling. . . . The Keep is a work both prodigiously entertaining and profoundly moving.”

—The New York Times Book Review

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enhance your group’s discussion of The Keep, a modern-day Gothic tale that is at times realistic and wryly comical, at other times surreal and dreamlike. In The Keep, Jennifer Egan again displays the dazzling powers of invention that brought Look at Me a National Book Award nomination.

1. What happens when you discover that Danny, in whose story we are immersed from the opening pages, is actually a character in the story being written by Ray, who is in prison [pp. 18–19]? As you proceed, does your involvement in both Danny’s story and Ray’s story remain equal, or does one plot become primary and the other secondary? How does Egan navigate the transitions between these two plots?

2. Jennifer Egan said in an interview that The Keep arose from a visit to a medieval castle. “The revelation was: This is something new to me, something different. I just want to be here for a while. I want this feeling. And for me, that sense of time and place—of atmosphere—predates a character, a story, everything else except a few abstract notions that I want to explore [The Believer, August 2000].” Consider how the setting and situation affect you in the opening chapters. What is the feeling they evoke? How does Danny’s very modern voice affect your response?

3. Guilt plays a large role in the lives of several self-destructive characters in The Keep. How does guilt for past actions shape the present lives of Danny and Holly?

4. The Gothic novel is a genre that emerged in the eighteenth century with Horace Walpole’s novel The Castle of Otranto. Gothic novels often included crumbling ruins, dark secrets, imprisoned heroines, hidden passages, and so on. Why does Ray choose to write a modern Gothic novel, and how do elements like the castle, the baroness, and the drowned twins resonate against the hyper-modernity of the information age that Danny has so reluctantly left behind?

5. What does the catalog of Danny’s scars and injuries tell us about him? Is he particularly accident prone? Does Danny’s character change over the course of the story?

6. Danny is officially disconnected from his known world when his satellite dish, laboriously carried from Manhattan, falls into the castle’s “Imagination Pool.” Why is this funny? What are some of the other comic scenes in the novel?

7. The series of questions that arises on page 158 is one of the frequent reminders that Danny’s story is being written by a novice. Ray becomes inspired to take writing seriously when Holly tells the class to notice all the locked doors and gates surrounding them. She says, “My job is to show you a door you can open. And she taps the top of her head.” Though Ray is skeptical about Holly’s “cheesy motivational speech,” he feels “something pop in [his] chest” [p. 20]. Why does Ray respond so powerfully to Holly’s suggestion, despite the fact that “it was just figurative language” [p. 20], as he says?

8. The Keep allows us to watch the process of someone becoming a writer. Ray listens to “ghost words” from his fellow convicts’ former lives, writing them down “because every one has the DNA of a whole life in it, a life where those words fit in and made sense. . . . I save up those words and later on I open up the notebook where I’m keeping the journal Holly told us all to keep and I write them down one by one. And for some reason that puts me in a good mood, like money in the bank” [p. 61]. What does this suggest about close observation, words, and meaning in daily life?

9. The Keep is filled with imagery of doors, windows, towers, tunnels, and stairways. Characters climb in, climb out, explore, are locked in, emerge into the light. Why is this imagery used so consistently, and whose imagination is creating or projecting it? Another major image is the pool: “There was the pool: round, quiet, black. The Imagination Pool” [p. 155]. How are these symbolic elements related to one another?

10. Drug use plays a significant role in the story, with Mick, Danny, Holly, Ray, and many of the prisoners all having been serious addicts or occasional users. How is drug use related to the main ideas in the novel? Can drug use be seen as a corollary to writing in the ways it alters perception and reality?

11. Howard is drawn to the castle because of “the feel of it. All this . . . history pushing up from underneath” [p. 46]. He goes on to say that in the distant past, “people were constantly seeing ghosts, having visions—they thought Christ was sitting with them at the dinner table, they thought angels and devils were flying around. . . .

Was everyone nuts in medieval times? Doubtful. But their imaginations were more active. Their inner lives were rich and weird” [p. 47]. Later he asks, “What’s real, Danny? Is reality TV real? . . . Who are you talking to on your cell phone? In the end you have no fucking idea. We’re living in a supernatural world, Danny. We’re surrounded by ghosts” [p. 137]. The baroness tells Danny, “Before my time there were eighty generations of von Ausblinkers whose blood now runs in my veins, and they built this castle and lived and fought and died in it. Now their bodies are dust—they’re part of the soil and the trees and even the air we’re breathing this very minute, and I am all of those people. They’re inside me. They are me. There is no separation between us” [p. 88]. This idea of feeling or seeing or hearing ghosts is central to The Keep. How do you interpret the meaning or meanings of “ghosts” in these and other conversations?

12. Can writing—and the imagination—be redemptive? Ray is serving time for murder; yet as he presents himself to us, it’s difficult to detect any evil in him. Is he a reliable narrator, or not? Is he a likable and even lovable character? Is Holly a reliable judge of character, and does her love for Ray influence your feelings about him?

13. Davis’s shoebox full of dust is a radio that can hear the voices of the dead; he sees this radio as having the same function as Ray’s manuscript: “All this time we’ve been doing the same thing: picking up ghosts. We’re in lockstep, brother. We’re like twins” [p. 106]. How is writing like Davis’s radio? Davis’s comment about himself and Ray as twins is also significant. What is important about this idea of twins, and how might it also include other characters in the novel? Which characters seem to be doubles or shadows of each other?

14. In their shared obsession with castles, dungeons, and the seductive powers of the imagination, are Danny and Howard both interested in reliving their pasts? Does the past return? Does Danny redeem himself for what Danny did to Howard when they were boys?

15. Can you imagine visiting a hotel such as Howard’s? Might the principles underlying the hotel actually be attractive to busy people in the world we now live in? Does Howard’s real power lie not in his money, but in his belief in

the imagination, and possibly in his ability to provoke people to change their lives? Is The Keep in part a serious critique of American culture’s obsession with superficiality and the distractions of the moment?

16. Reread pages 148–149, the paragraphs leading up to and immediately following the stabbing of Ray. What elements make this writing so powerful?

17. The Keep tells the stories of three main protagonists: Danny, Ray, and Holly. Whose story is most compelling, and why? Does the final chapter resolve or leave unsettled your understanding of the relationship between these characters? What happens to the two distinct plots—the story of Ray and the story of Danny—at the end of the novel? What happens when Holly dives into the pool in the final scene?


NATIONAL BESTSELLER

“Dazzling. . . . The Keep is a work both prodigiously entertaining and profoundly moving.”

—The New York Times Book Review

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enhance your groups discussion of The Keep, a modern-day Gothic tale that is at times realistic and wryly comical, at other times surreal and dreamlike. In The Keep, Jennifer Egan again displays the dazzling powers of invention that brought Look at Me a National Book Award nomination.


3.3 3

What Our Readers Are Saying

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Average customer rating 3.3 (3 comments)

`
Julia Williamson , June 18, 2011 (view all comments by Julia Williamson)
Jennifer Egan's ability to turn a story inside out and upside down and run it through a couple of rabbit holes, without so much as letting a little change fall out of the character's pockets, is astounding. I love novels in which unexpected things happen to people, and you get to see them in all of their complexity. And then there's the story, unusual and inventive in its own right. Very adept and entertaining.

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`
katknit , February 03, 2009 (view all comments by katknit)
s it opens, The Keep zeroes in on Danny, who is forced to get out of town - fast, because he's screwed up royally once again. These initial chapters appear to be the set up for a romance novel, until they segue into the heart of the story. Serendipitously for Danny, his cousin Howard has provided him with an invitation and a one way plane ticket to a country (unnamed) in Eastern Europe. He makes a comically unceremonious arrival at his cousin's creepy, ancient castle, and the story becomes a tale of guilty secrets. Along the way the reader learns that Danny's adventure is being told to us by Ray, a maximum security prisoner serving time for murder and taking a writing class. With plenty of gothic detail and danger, relieved with absurd comedic passages, the suspense factor ratchets up. Has Howard lured Danny to his castle in order to exact revenge for a childhood incident? Why has he acquired this property at all? A subplot, involving Ray and his writing teacher, weaves in and out of Danny's adventure, raising questions about who is who and what is real. Egan has surrounded her main figures with a fun cast of quirky ancillary characters. The enigmatic conclusion, though unexpected, is strangely satisfying. The strength of this novel is its originality, but there is an element of confusion that sometimes distracts from the story. Recommended for readers willing to accept a dose of ambiguity.

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Marie , June 15, 2007 (view all comments by Marie)
How much you like this book will probably depend. It will depend upon how flexible your attitude is toward several genres is, how much you like books with a slightly unusual style, how you tolerate loose ends. Personally, I probably fall in about the middle of the curve for all of the above, and thus enjoyed The Keep, but I can't say it was a really great book. Your mileage may differ. It is certainly an interesting premise and Jennifer Egan is a graceful writer. I sailed through the book well enough, but at the end I said, Okay, that's that. The Keep puts a nice spin on Gothic-style books, giving it a modern sensibility. There's enough mystery to keep readers who enjoy a little mystery interested, the characters are clearly enough drawn. It's certainly a cut above a lot of "summer reads." I expect that most readers will like the book, some will love it and some, like me, will just say, Okay.

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Product Details

ISBN:
9781400079742
Binding:
Trade Paperback
Publication date:
07/10/2007
Publisher:
PENGUIN RANDOM HOUSE
Pages:
272
Height:
.88IN
Width:
5.28IN
Thickness:
.75
Number of Units:
1
Copyright Year:
2007
UPC Code:
2801400079744
Author:
Jennifer Egan
Author:
Jennifer Egan
Subject:
Literature-A to Z
Subject:
General Fiction

Ships free on qualified orders.
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$9.50
List Price:$16.95
Used Trade Paperback
Ships in 1 to 3 days
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