Kathleen Collins's posthumous 2016 short story collection, Whatever Happened to Interracial Love?, was one of the best books I read that year, if not this decade... or this century. And I thought that would be all we'd ever get of her absolutely unique voice. Needless to say, I was elated to learn that Collins's daughter had compiled this new collection of letters, diary entries, short stories, a novel excerpt, plays and film scripts, including the screenplay for Collins's excellent film Losing Ground. It's another wonderful, one-of-a-kind collection from a little-known, wonderful, one-of-a-kind author. Do yourself a favor and get into Kathleen Collins — there may not be much out there, but what is out there is worth your time. Recommended By Gary L., Powells.com
Synopses & Reviews
A RECOMMENDED BOOK OF 2019 FROM
Vanity Fair * Vogue * The Huffington Post
A stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmaker
Relatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, "To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us."
That rediscovery continues in Notes from a Black Woman's Diary, which spans genres to reveal the breadth and depth of the late author's talent. The compilation is anchored by more of Collins's short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she's agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins's raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.
Kathleen Collins's writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman's Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.
"The randomness of literary success is terrifying. Great writers are only recognized years after their deaths; forgotten literary works are recovered in attics and archives...Fortunately for posterity, Kathleen Collins...has been justly rescued from obscurity...This new collection highlights her strengths as dramatist, screenwriter, and short-story creator." Booklist
"A sweeping picture of a mega-talent who was overlooked during her lifetime." Vanity Fair
"Collins proves her literary power across mediums — exploring the complexities of marriage, motherhood and identity — even 30 years after her death." Time
"Dazzling.... [Collins'] voice and vision are idiosyncratic and pitiless, combining mischief and crisp authority, formal experimentation and deep feeling.... There is cool skepticism but also hunger for rapture. There is humor a knife's edge from despair.... [A] stylish, morally disheveling work." New York Times
About the Author
Kathleen Collins, who died in 1988 at age forty-six, was an African-American playwright, writer, filmmaker, director, and educator from Jersey City. She was the first black woman to produce a feature length film.