What a perfect collection this love letter to the earth is. Mary Oliver is so tuned in to the natural world around her; the way she allows it to speak through her onto paper, and reflect back to us all the truth, always awes and astounds. Recommended By Aubrey W., Powells.com
So many times before I have been lost in the words of Mary Oliver — consumed by her delicate and precise prose of the natural world. This newest collection of essays was no different in captivating my heart! Lovers of Emerson, Shelley, Whitman, and Wordsworth rejoice! Oliver pays her deepest gratitude to these masters of the pen and their influence over her work. Part meditation on the discipline of the creative mind, part tribute to nature and her kinship with it. Recommended By Kate L., Powells.com
Synopses & Reviews
"In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be."
So begins Upstream, a collection of essays in which beloved poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood "friend" Walt Whitman, through whose work she first understood that a poem is a temple, "a place to enter, and in which to feel," and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, "I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple."
Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.
"Part paean to nature and part meditation on the writing life, this elegant and simply written book is a neo-Romantic celebration of life and the pursuit of art that is sure to enchant Oliver’s many admirers. A lyrical, tender essay collection." Kirkus Reviews
"Distinguished, honored, prolific, popular, bestselling—adjectives that don’t always hang out together—describe Oliver’s body of work, nearly three dozen volumes of poetry and collections of prose. This group (19 essays, 16 from previous collections) is a distillation of sorts. Born of two "blessings—the natural world, and the world of writing: literature," it partakes of the spirits of a journal, a commonplace book, and a meditation. The natural world pictured here is richly various, though Oliver seems most drawn to waterways. All manner of aquatic life—shark and mackerel, duck and egret—accompany her days, along with spiders, foxes, even a bear. Her keen observations come as narrative (following a fox) or as manual (building a house) or as poems masquerading as description ("I have seen bluefish arc and sled across the water, an acre of them, leaping and sliding back under the water, then leaping again, toothy, terrible, lashed by hunger"). When the world of writing enters, currently unfashionable 19th-century writers emerge—Percy Shelley, William Wordsworth, William James—in readings that evade academic textual analyses and share the look-at-what-I-saw tone animating Oliver’s observations of the natural world. The message of her book for its readers is a simple and profound one: open your eyes." Publishers Weekly
"Highly recommended as an entrée to Oliver’s works, this volume should also be required reading for artists of all kinds, not just writers, and especially aspiring creative minds." Library Journal (Starred Review)
About the Author
Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of twenty-eight. Over the course of her long career, she has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching. Oliver currently lives in Florida.